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Jean Beraud
A Windy Day on the Pont des Arts
Date ca. between 1880(1880) and 1881(1881)
Medium Oil on canvas
Dimensions 39.7 x 56.5 cm (15.6 x 22.2 in)
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Jean Beraud
Home, Driver
Medium Oil on canvas
Dimensions 40.3 x 31.8 cm (15.9 x 12.5 in)
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Jean Beraud
Boulevard des capucines
Medium Oil on canvas
Dimensions 50.8 x 73 cm (20 x 28.7 in)
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Jean Beraud
Personnages
Medium Oil on board
Dimensions 59.7 x 73 cm (23.5 x 28.7 in)
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Jean Beraud
La Lettre
1908(1908)
Medium Oil on canvas
Dimensions 45.7 x 37.2 cm (18 x 14.6 in)
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Jean Beraud
Les Grands Boulevards Le Theatre Des Varietes
Date between 1875(1875) and 1890s (B x raud's productive period)
Medium Oil on canvas
Dimensions 39 x 55 cm (15.4 x 21.7 in)
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Jean Beraud
Boulevard des capucines
oil on canvas
Dimensions 50.8 x 73 cm (20 x 28.7 in)
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Jean Beraud
Parisienne Au Rond-Point Des Champs Elysees
oil on canvas
Dimensions 40.6 x 27.3 cm (16 x 10.7 in)
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Jean Beraud
Le Cafe de Paris
Medium oil on panel
Dimensions 55.3 X 35 cm (21.8 X 13.8 in)
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Jean Beraud
A Swordswoman
oil on canvas
Dimensions 40 x 32.4 cm (15.7 x 12.8 in)
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Jean Beraud
Sortant De La Madeleine
oil on panel
Dimensions 23.5 X 31.8 cm
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Jean Beraud
La Rue de la Paix
1907(1907)
Medium oil on canvas
Dimensions 66 x 92 cm
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| Jean Beraud
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1848-1935
French
Jean Beraud Galleries
Berauds father (also called Jean) was a sculptor and was likely working on the site of St. Isaacs Cathedral at the time of his sons birth. Berauds mother was one Genevieve Eugenie Jacquin; following the death of Beraudes father the family moved to Paris. B??raud was in the process of being educated as a lawyer until the occupation of Paris during the Franco-Prussian war in 1870.
Beraud became a student of Leon Bonnat, and exhibited his paintings at the Salon for the first time in 1872, however he only gained recognition in 1876, with his On the Way Back from the Funeral. He exhibited with the Society of French Watercolorists at the 1889 Worldes Fair in Paris. He painted many scenes of Parisian daily life during the Belle epoque, in a style that stands somewhere between the academic art of the Salon and that of the Impressionists. He received the Legion d honneur in 1894.
Berauds paintings often included truth based humour and mockery of late 19th century Parisian life. Along with frequent appearances of biblical characters in then contemporary situations. Paintings such as Mary Magdalene in the House of the Pharisees aroused controversy when exhibited because of these themes.
Towards the end of the 19th century Beraud dedicated less time to his own painting, but worked in numerous exhibition committees including the Salon de la Societe Nationale.
Beraud never married and has no children, he is buried in Montparnasse Cemetery beside his mother.
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